The Old Iron Inn Bed and Breakfast
155 High Street ~ Caribou, Maine 04736
(207) 492-4766 E-mail:
Your Hosts: Kate and Kevin McCartney
Everything You Ever Wanted to Know About Staying in a B&B, But Were Afraid to Ask.
Here is the thing about b&bs: they are NOT motels. Think of a b&b as an anti-motel - each one unique and memorable
in its own way. They are guest houses for people looking for a more unique and memorable overnight experience. We here
at the Old Iron Inn run a small, European-style b&b; that is, we have only four guest rooms, we live in the house
full-time, and all of the things in the house, including the collection of antique pressing irons, are our personal
belongings. There is no "corporate management," just us.
Since this is our house, we take great pride in the services we have to offer. We provide a beautiful room filled with
antiques, nice towels, authentic art, and Kate cooks a lovely breakfast in the morning. As you would expect of guests in
your own home, we hope you will treat these things nicely: use coasters when putting a glass down on a table, hang up wet
towels when you are done with them, and if your suitcase is dirty from travel, please don't put it on the hand-made quilts
or antique furniture. Rock stars stay in motels rooms in order to trash them. A wide variety of interesting, intelligent,
and well-traveled people stay in b&bs so they can appreciate them.
One of the more common questions we are asked is, "What's included in the price at a bed and breakfast?" The answer is:
a bed and a breakfast! Breakfast is included in the cost of all rooms and can be tailored to suit any dietary requirements.
Breakfast is served when you would like it to be served, within reason. If you have to be somewhere at 8:00, it is no
problem to have breakfast at 7:15. Just let us know. However, please keep in mind that it is extremely inconsiderate if
you ask for a particularly early breakfast and then come downstairs 2 hours after the time you requested.
Because this is our house and we live here full-time, we are available to help with advice on where to eat and to suggest
things to do in the area and to give directions. Please be considerate, however, and realize that though we are here to
help, we are not here to baby-sit, dog-sit or provide free chauffeuring (although we can try to help find these services,
should they be needed). If you sell Amway or Avon or anything, please realize it is inappropriate to go into your sales
pitch to the other guests or hosts. It goes without saying that this applies to religious beliefs, as well.
The downstairs living room and dining room are common areas for all to enjoy, so as cute as your flannel jammies are,
please get dressed before you come down for breakfast. Also, even though it is tempting, please do not come into the
kitchen. Not only is this against state health regulations, it is also your host's professional work space. Besides, the
deal is that we cook, serve and CLEAN UP your breakfast. We know that you have to clear your own table at home, but think
of this as your home, only better, because you don't have to do the dishes.
If you are going to be out very late, let your hosts know so they don't have to wait up for you. Just as you would with
guests in your own home, your hosts will be waiting and worrying about you if you don't show up when you planned to return.
It is not a good idea for your first night in a new place to inform the host you will be showing up around midnight or so.
If your first night at a new b&b will have you showing up very late, stop in earlier in the day to get checked in and settled.
That way, when you return after your meeting/dinner/wedding, etc., you are all taken care of. We have spent more than one
night on the sofa, waiting for guests to show who then never do. Please, pretty please, with a cherry on top, if your plans
change, call us and let us know.
If you need to use the house phone to make a call or two, this is no problem. Local service is free and available, and
long-distance calls can be made through use of a calling card, but, please keep in mind that you are using the house phone
and other guests and your hosts may need to use it, too. If you require more extensive telephone usage, it is advisable to
bring a cell phone.
Do feel free to wander around and look at things in the common areas. Books and magazines are available everywhere, and if
anything piques your interest, then by all means pick it up. If you start a book and want to finish it, you can take it with
you and mail it back when you are done. If there are people in the living room chatting, feel free to join in. You never
know who you're going to meet - this is the best part of staying in a b&b.
Being a guest at a b&b is really just a matter of following the golden rule. Treat others and the b&b as you like to be
treated. Your hosts are here to give you a genuine feel for the area and are only too happy to help with your travel plans
or other trip needs, just ask!
Back to the Old Iron
Because most of our guests are travelling business people, and plans do change
at the last minute because of a cancelled meeting or bad storm, we have a very
friendly cancellation policy. We ask only that you call us as soon as your
plans have changed, to let us know.
We require a credit card number to hold a room reservation because it is a way
of confirming that you will actually come when you say you will. We have had a
number of times when people call to make a reservation and then never show up
and we have no idea what happened to them. Having a credit card number on hand
ensures that you, the anticipated guest, are assured that your room will be
waiting for you.
The exception to this laid-back approach is on those days of the year (usually
holiday weekends) when we know we will be full. Taking a reservation for an
extremely busy time of the year will mean turning away many, many other
people. We have also had several very bad experiences with one person calling
to reserve the whole house for a time, say the 4th of July weekend, only to
cancel at the last minute because the others have decided they'd rather stay
somewhere else. Hence, we are only stiff-necked for the following reason: if
we know it will be a high-demand time, then we usually will either require a
deposit or payment in full ahead of time, with no cancellation. It simply
isn't fair either to us or the dozens of other people we will have turned
away. We also no longer allow one person to rent the entire Inn unless that
person agrees to be personally responsible for the entire cost. Surely you can
Rest assured, however, that 99% of the time, all we ask is that you call us and
let us know your plans have changed. We're travellers ourselves. We
Back to the Old Iron
Where to Eat
On High Street, you can pick up prepared food at the Exxon Food Trend, which has a deli and a Dunkin Donuts franchise. The Shop 'n
Save right across the street also has prepared sandwiches, salads, and rotisserie chicken.
For a dinner within easy walking distance, Napoli's serves Italian food. Turn right out of the driveway, walk to the end of the street,
turn left on High Street. Walk to the end of High Street, cross the pedestrian crossing, and continue through to the end of the brick
walkway. Look to your left at about 10:00, and you'll see the sign for Napoli's. You'll want an order of garlic knots to start.
Most restaurants in Caribou are located along Bennett Drive: McDonald's, Burger King, Pizza Hut, Tim Horton's and Subway are all obvious.
There is also a place called the Par and Grill (with a golf theme), located next to the Rite Aid, which serves pizza and sandwiches and beer.
It isn't fancy, but it is all homemade. They also have an outstanding prime rib steak, if you are in the mood. Also in the Rite Aid
shopping mall is the Farmhouse Bakery - great sandwiches and luscious homemade pastries. At the end of Bennett Drive, on the right just
before you hit the "T" intersection with Route 1, is an oriental place called the Far East Kitchen. If you turn left just before the Burger
King, you will go back into a little shopping center where there is a Chinese restaurant called the Jade Palace.
Other places in Caribou: there are two locally owned and operated spots on South Main Street, Frederick's South Side and Maryjo's Cafe.
Both have decent food at reasonable prices. Frederick's is closed on Mondays. Maryjo's serves breakfast and lunch daily, with hours from
6 to 2. They serve dinner on Friday and Saturday nights.
If you are craving a lobster, you can call Sleeper's and tell them you want a beastie and they will have it cooked and ready for you to pick
up at whatever time you arrange. Other local treats include the homemade whoopee pies at Alice's Bakery, located in Ouellette's Service Station
right by the high school on Route 161. Cindy's Sub Shop, which you will pass on your way to Alice's, also has fresh homemade food at reasonable
prices. It is mostly take-out, but there are a few tables crammed into the tiny building. Also located along the same road is local landmark
Burger Boy. It is only open seasonally, but there you will run into everyone who is anyone on a hot day, getting ice cream.
If you are heading north to Fort Kent, the Sportsman's Club in Sinclair is well known for their lovely location on Long Lake and large family-style
dinners. Take 161 North out of Caribou up to 162. Turn right and follow the road until it "T"s, then turn left. It is about 5 miles up on the
right. This is the only restaurant I know of in Aroostook County that serves ploys (traditional French Acadian buckwheat pancakes). The Sportsman's
Club is approximately 40 miles from Caribou and 161 is known as "Moose Alley," so be careful driving at night. It is open year round and does not
In Presque Isle, there is a Ruby Tuesday's located in the Aroostook Centre Mall. Winnie's Dairy Bar, located on the by-pass just before the turn
off to the airport, is famous for its lobster stew. On Main Street is a restaurant called Cafe Supresso, which is quite nice. They serve daily
lunches and dinners by reservation. The Irish Setter is a nice pub on Main Street and they serve lunch as well as dinner. Governor's, also on Main
Street, is known for its gigantic proportions and fantastic assortment of pies.
If you'd like an international experience, head east to Fort Fairfield and cross the border into New Brunswick. Stay on this road until it dead-ends
at the river in Perth-Andover (about 10 miles). Turn left. York's is the first building on the left. Do not go there unless you are very hungry.
The food is served family style and is basically all you can eat. They have delicious hot corn fritters, served in a puddle of warm maple syrup. York's
is only open seasonally, during the warmer months. If you have a hankering for German food, head north to Limestone and cross into New Brunswick. About
two miles in, you will see a sign for Karl's German Restaurant, with an arrow pointing to the left. Turn there and be prepared to take a sharp right turn
onto a winding road. Follow this road around as it goes past a lovely pond to the restaurant. They have great home made spaezel and we can highly
recommend the jaeger schnitzel. Both Karl's and York's are only open seasonally and you should call ahead. York's number is (506) 273-2847. Karl's
number is (506) 473-6252. Both of these places are about a half-hour's drive from Caribou. Remember that you will be crossing a time zone, so when you
make reservations make sure you know which 6:00 pm you are booking. And be sure to take your passport with you. It just makes getting back into the US
that much easier.
For a truly gustatory experience, Canterbury Royale in Fort Fairfield is an absolute gem. They do require reservations, so be sure to plan way in advance,
but if you are lucky enough to get in, be prepared for a multi-course gourmet meal that will leave you languid for days. From personal experience, I can
assure you it is elegance come to life and worth having to put on a tie or pantyhose. They are the only restaurant in all of northern Maine that I know of
that has a dress code.
Back to the Old Iron
"So THAT'S why it's called The Old Iron Inn!"
A brief primer on the history and variety of old irons
We have had people stay with us for several days who suddenly smack their foreheads and exclaim,
"So THAT'S why it's called the Old Iron Inn!" We thought it was obvious: the house is full of OLD IRONS; you know, those
little heavy metal things your grandmother used to take folds and creases out of clothes.
Interestingly, most clothing or pressing iron collectors - at least in our experience - are men, who are apparently attracted
by the considerable variety in style and technology. A household of a century or more ago would have had a number of different
irons for various types of clothing. In any given period, the irons a household would have had varied considerably with the
household's resources and region. These factors, along with the steady introduction of new technologies and marketing, have produced
literally tens of thousands of distinctly different irons just in American use, and many times that when the irons of other nations
Beyond the incredible variety, there is a surprising beauty about old irons. These were utilitarian household items, and yet throughout
history the iron builders and manufacturers have lavished attention to form as well as function. Irons very commonly have smooth and
attractive lines and often sport special details and embellishments. The human urge to build and market "a better mousetrap" has
resulted in a seemingly infinite number of clever gadgets to make the iron useful for a wider range of clothing or keep the iron hot
without burning the hand.
The Flat Iron
Early flat irons were made by individual blacksmiths and each is unique unto itself. A trained eye can see the human labor that went into
this artifact, as the iron in some respect reflected the soul of its maker. The body might show the layers where cooler portions of the
raw ore were folded and mixed. The handle is simply a bar of iron, but twisted to provide an ornamentation as well as practical gripping
surface. These primitive irons do not have the high values of primitive pine furniture, but there still is a sense of being close to the
maker; the artifact serves as a wormhole across time.
With the coming to America of foundries and mass production in the early 1800s, molten iron was simply poured into molds and a handle
attached. We lose touch with the individuality of the worker who made the iron, but we can see the mental calculations of the designer or
inventor. How can this mundane item produced by the thousands be made more desirable, at less expense?A cross-hatched design might be put
on the handle. The bottom has a polish or the top beautifully encased in chrome. A great idea that was patented advertised the iron's
design as keeping the handle cool even while the base is hot.
The term "flat iron" usually refers to a single-piece iron intended for general use on clothing. These were heated on the stove or near
a fireplace, as they do not have an internal source of heat. Typically, flat irons have a sole of roughly triangular shape, flat at the
back, with the other two sides slightly rounded. Other shapes also occur, such as a rounded back or forming a point on both ends. By and
large, flat irons rarely have values that exceed $50, and typical irons in good condition sell from $10 to $20.
The flat iron could be an international symbol for drudgery. The iron was heated until very hot, in a workplace that could not have been
comfortable. For the most part, the irons were a single piece of metal, with the handle just as hot as the base. The iron was gripped with
rags or gloves to keep from burning the hands, but they were never easy to use. Keep in mind that these were used in a time of heavy
clothing, without fans or air conditioners, or bug spray, or any artificial light. It must have been hell, by the standards of our day.
Various innovations were tried through the 1800s to create a cooler handle. Some handles included holes or slots to better dissipate
the heat. Rare examples in the United States had wood handles and, since the user might not be using the usual gloves, a shield to keep
the hand from touching the hot iron. A variety of insulating materials was tried between the base and handle. An example is the Hood
soapstone irons, patented in 1867, that have a slab of soapstone between the metal sole and handle. The sole plate on these irons is
fairly thin, and we guess that these irons did not hold the heat as well as its all-iron competitors, so the cooler handle came at
a cost in efficiency.
The Slug Iron
What are here called slug irons are more typically referred to as "box" irons. We do not believe that the "box" term adequately describes
these irons, which are heated by the insertion of a heated metal slug into the body of the iron. Each iron had multiple slugs, which
could be rotated from the source of heat a stove or fireplace - to the iron. The heated slug kept the source of heat close to the
sole of the iron and away from the handle, which thus was cooler. The iron commonly had a wood handle, which was also easier on the
hands. Slug irons represent the first step in iron evolution above the classic single-piece flatiron.
Most slug irons have a door in the back that can be opened to retrieve the old slug and insert a new, hotter one. The exact nature of
the door and opening mechanism varies considerably. Slug irons have a long European history and were used in America in colonial times,
but generally saw uncommon use in the United States. There are a very great many kinds of European slug irons, some of them being very
fancy and frequently made of brass.
Many slug irons predate the invention of standardized mass production, so each iron has a certain uniqueness. The brass irons in particular
often have a folk art design carved into the body of the iron, and the handles may have interesting shapes or florishes. The body of the
iron or the door sometimes includes a date or some personalization, such as the initials of the maker or owner.
Irons with detachable handles
In the middle and late 19th century there arose a wide variety of patents, especially in the Land of Yankee Ingenuity, that would remove
the handle from the iron while it was being heated. Early examples consisted of a flat iron with a handle that could be screwed or wedged
to the base, though doing this without burning oneself must surely have been a challenge. There were also various means of reducing the
handle's connection to the body, while not removing it altogether. None of these devices appear to have worked very well.
In 1870 and 1871 Mrs. Mary Florence Potts patented the elements of her famous "Mrs. Potts' Patent Cold-Handle Sad Iron," with the
half-circle wood handle that so many of our guests recall their grandmother as having. This handle was easily attached and unattached,
and securely held the iron. It was also brilliantly marketed. Millions were sold, and it may well have been the most recognizable
mechanical device of its time. Various manufacturers built these irons under license and after the patent expired they were manufactured
everywhere. The last American manufacturer of irons of this design, the Colebrookdale Iron Foundry of Pennsylvania, made these until
Typically, three bases (sometimes called "shoes") were purchased with one handle. The bases usually were identical, but they might have
varied in weight, shape and function. The user would use one of these bases while the other two were heating on the stove. As the one shoe
cooled, it could be easily exchanged for a hot one. The set often came with a trivet, which was typically of a flat iron shape and size
(the Old Iron Inn has about a hundred trivets of this one shape and size on display). These sets became readily available to anyone in
the United States through mail catalogs such as Sears and Roebuck.
The Mrs. Potts type iron with the semicircular handle was readily copied by many manufacturers. Some of these, to avoid patent disputes,
made irons of essentially the Mrs. Potts configuration but with different latch mechanisms. While there are many unusual and rare iron
designs with detachable handles for the collector to look for, there were three other designs that became major competitors of the
Mrs. Potts type: the Sensible, Ober and Asbestos/Dover families.
Sleeve or "flounce" irons were elongated to get into narrow areas, such as pants legs or the spaces between buttons. They are quite
common, as every housewife who had several sad irons probably had a sleeve iron among them. This is especially true in the late 1800s,
when irons became inexpensive enough that a household could afford such a variety. The sleeve iron was a minor luxury for the woman who
likely had few luxuries of any kind. For example, some sleeve irons were given away as business promotions, when the giveaway of a more
typical iron would not have had the same effect.
The heyday of the sleeve, however, was fairly short. By and large, all sleeve irons to be found by the collector are either adapted
flatirons or have detachable handles. The technologies that replaced these, namely liquid or gas fuel and electricity, did not make sleeve
irons. This may have been because the newer technologies were expensive enough to not warrant the expense of additional iron, or it
could have been a change in style or expectation that is now lost to us.
The style in the mid 1800s required highly starched and stiff shirts, collars and cuffs, especially for men. These would be ironed to
a high "polished" or bunished sheen by concentrating a great deal of weight onto the space being ironed. This was more easily done by
tailors, with their very heavy irons and the muscles to match, but more difficult for the housewife who wished to produce that effect.
The alternative to the large and heavy irons was smaller irons that had rounded bottoms to concentrate the weight of the iron and
Specialized polishers had a rounded bottom with a continuous curve, and these were popular in England. Americans typically sought a
practical device that could iron and polish as needed. These irons had a flattened bottom but rounded sides or back. Often the polishing
portion of the iron was thickened to apply more weight. Mary Ann B. (M.A.B.) Cook of Boston, Massachusetts, patented a shoe-shaped
iron in 1844 that was thickest at the front rounded "toe" of the iron. This could be used as a flatiron for general ironing, but polishing
could be done by leaning the iron forward to concentrate the whole weight of the iron over a small area. The M.A.B. Cook polisher was
sold for several decades.
While the rounded bottom is most characteristic of the general type, some irons had a cross-hatched or textured bottom that would again
concentrate the total weight of the iron. By far the most popular of these was patented by Michael Mahony, who owned an architectural
works company in Troy, New York. Mahony borrowed on the shape of milliners' shell irons of the day, which had steep sides, a square
back and a rounded front. These irons were very popular, and the style was exported to Europe.
Some more typical flat irons or irons with detachable handles included a rounded back for polishing any rough spots. These rounded
portions are commonly found on Mrs. Potts irons, and indeed in a set of three often one iron has a rounded point while the other irons
are flat across the entire extent of the bottom. Enterprise Mfg. Co., which marketed the Mrs. Potts cold handle, also sold the one-piece
"Star" iron with a similar shaped semicircular handle made of iron and perforated by holes. Within the iron was some insulating material
patented by Arthur Y. Hubbell in 1867 that was advertised as able to reduce the flow of heat to the handle; the holes in the handle
were also supposed to help dissipate the heat. This iron is also commonly found in antique shops, and, like the Mahonys, typically
sells for about $20.
In the past 200 years our society has fallen into and out of love with fancy hats. Until the early 1800s hats in America were unusual,
and most fancy hats were imported and expensive. American manufacture of silk and soft felt hats began in the 1830s and 40s. In the
Victorian era and until the middle of the 20th century, hats were one of many articles of clothing that immediately indicated its
wearer's societal status.
The fancier hats were expensive, not only to buy but also to maintain. A gust of wind or a bit of rain were all it took to send the
hat back to the hatter to be, well, ironed. What we call hat irons were used both for the making and the remaking of hats. A hat was
not something that was simply purchased and then worn until it was thrown away. It would be maintained and reconditioned by a hatter
much as the shoes of the time were repaired by the cobbler. Indeed, there was quite an industry in those days of reconditioning old
hats for resale.
A hat is distinguished from a cap or bonnet by having a continuous brim around the crown. It can have many different curves and parts,
each of which requires its own smoothing device. The beaver and felt hats of the early and middle 19th century had an essentially
flat brim. Later in that century, the brim became more curved and styles such as the derby developed that had a complex curled edge,
which required specialized irons. The round sides and crest of the crown required additional irons. The result is an enormous variety
of hatters irons, a group worthy of collecting in their own right.
Goffering irons are one of the oldest iron groups, going back to before the Elizabethan Era in England. They consist of a heated metal
"lug" at the end of a rod. As understood by collectors, the words "goffering iron" typically refers to a two part device, with the
lug inserted into a tube, known as a "barrel." However, the lug, or "poking stick" preceded the barrel by perhaps a couple of
Goffers are part of a broad family of irons used for very fancy collars, bonnets and lacework trims of many kinds from about the year
1500 to 1900. A modern example is the ruffled cloth still seen in the front of tuxedo shirts, although that frill is sewn onto the shirt
rather than ironed. In the time of Elizabethan England, high fashion meant ruffed collars worn by both sexes. Think of Sir Walter Raleigh.
These were very expensive in their day and were assembled using wood elements to form the loops of the fabric. The cloth itself was highly
starched to hold the shape. After being worn, the heated metal poking sticks were inserted into the folds to remove wrinkles.
The high ruffs went in and out of style over the years, but there was always a need for fancy ruffles in the costumes of very high
society, and irons that could produce that effect persisted in one form or another. The lug and barrel combination was well established
by the late 1700s and from this time through the Victorian era there were some very fancy goffering irons produced that are true works
of art. Less expensive goffers were made in the foundries of England and can be seen in catalogs into the very early 20th century. Some
of the fancy goffering irons had multiple barrels, although these are also faked for the unwary collector. Other devices that took the
appearance of tongs or swissors were made. These various implements ultimately led to the quintessential American fluting iron.
This is the favorite group of many iron collectors. Fluting irons are unusual, diverse, and generally uncommon enough to keep the
collector always on the search. While the antecedents of the fluting irons developed in Europe, it was in America that this group came
into full, though brief, flower. Many American inventors and manufacturers produced a bewildering assortment of odd and clever designs.
The fluters are perhaps the only major American group that is intensely sought after by European collectors.
The fluting irons were in their own time often referred to as "crimping" and "pleating," irons and it is useful to include these terms
when doing internet searches for fluters. While all these terms refer to a corrugated or ruffled design that would be pressed into the
cloth, the words have now come to be used differently. Crimper devices were also used for making fancy patterns on pies and closing the
ends of shotgun shells, and it is convenient to not have that term also applied to fluting irons. Pleater is a term that is now generally
restricted to a device that allows folds to be sewn into garments. The term fluting or fluter is now generally restricted to those
lacework of the sleeves and collars of Victorian dress.
The fluting iron had a long genesis in Europe, but the classic fluting designs began in England in the mid-1800s. Two fairly large gears
made of iron or more likely, brass were stacked and supported by a metal frame that included springs or other devices to control the
pressure and spacing between the rollers. The British fluting machines were fairly large, usually over a foot tall, and had rollers that
extended to one side beyond the frame. These became popular as the Victorian propensity for ever more fanciness developed in about the
With the end of the American Civil War in 1865, metal manufacturers were searching for new and more peaceful products. A surge of patent
applications for improvements on the English fluting irons resulted in the first American fluting irons in about 1866. At least 135
fluting iron patents were granted in the 15 years from 1866 to 1880. During this interval, a wide variety of designs were marketed. The
"golden age of fluting irons" appears to have ended abruptly after 1880, although they were still marketed into the early 20th
The fluting irons can be divided into two basic groups: hand and machine fluters.
The hand fluters were simple devices that consisted of a usually flat corrugated plate that used either a stove or an enclosed slug for
heat. Above the base fluter plate was a curved plate or cylinder that would be rocked or moved across the base. By far the most common
of the hand fluters was the Geneva, patented in 1866, manufactured by the William H. Howell Co., of Geneva, Illinois. The bottom of the
base shows the patent date and the instructions HEAT THIS. The fluter plate and roller were made of white zinc alloy to reduce corrosion.
This fluting iron was sold in considerable numbers over the next several decades and good specimens are now worth about $35.
During the heyday of hand fluters, many companies were designing and manufacturing "machine" fluters. These are reminiscent of the
old washing machines that incorporated rollers for wringing out the water. The machine fluter designs consisted of two hollow brass
rollers that were heated by the insertion of elongate slugs. One of the rollers could be turned by a crank. These fluters were generally
mounted on a base that could be clamped to a table. They were usually decorated with painted bright stripes, stencil designs and
Foremost among the machine fluter manufacturers was the American Machine Company, of Philadelphia, which was one of the co-owners of the
Mrs. Potts cold handled patent. These carried names such as "American," "Crown," "Eagle," "Penn," "Star" and "Susan B. Knox." In general,
they are similar in construction, with large bases and, except for the Eagle, a C-shaped clamp to keep the fluter from sliding on the
table. These irons typically now sell for $100 - $200 if there is good stenciling and original paint.
The flat and slug irons used an external stove or fireplace for heat. The next evolutionary step in making the iron more convenient was to
put the fireplace into the iron. These are commonly referred to a coal (or charcoal) irons, but irons of this general group used a wide
range of burnables, including coal, wood, embers, charcoal and solid pellets of various compositions. Whatever the source of heat, the
morphology of the iron was essentially the same: a large size with a body made of thin metal and vents to allow for the passage of air.
These were commonly constructed of many pieces by craftsmen and invariably included wood handles.
These irons have a surprisingly long history. We are uncertain when the first coal irons were made, but they were fairly common in Europe
by the late 1700s. Their use in Europe and the United States continued well into the 20th century, and they are still used in South
America and Africa. (A word to the wise: many of the more simple coal iron designs to be found in antique shops today are imported from
South America. We have found these on a few occasions where the shop owner swore that they were "just found in an old barn nearby.
The early coal irons were made from thin sheets of iron (or some iron alloy) or brass that were riveted together. These irons are
handmade, and commonly include cutout ornamentations along the sides of the body. Starting in the mid-1800s, foundries made coal irons
that consisted of a cast base and top. These two pieces are connected by a hinge, usually at the back of the iron, and a latch at the
In 1852, Nicholas Taliaferro and William D. Cummings, both of Kentucky, patented a design that had a chimney at the front and the
lid held in place by a pin which, when removed, allowed the top to be completely removed from the bottom. These were manufactured in
large number by Bless and Drake Company, of Newark, NJ. Later Bless and Drake irons included a steel shield that protected the hand
from being burned by the hot lid. Once the patent expired [in ?], this style was produced by many manufacturers into the early
There has been an enormous variety of irons designed to burn liquid or natural gas in all of its various chemistries, including
alcohol, kerosene, gasoline, acetylene, naphtha, propane or other combustibles. Some early fuel irons may have burned whale oil. The
earliest patents for fuel irons date to the 1850s but they do not come into fairly common use until the 1870s and 80s. These early
irons were difficult to use, but so were their flat iron and coal iron competition. New burner technologies and better fuels created a
considerable one is careful not to use the word "explosive" expansion of the use of these irons, and the number of manufacturers
that built them.
The development of the fuel iron in the early 19th century basically parallels that of the electric irons. The later examples were made
of similar materials with extensive use of chrome and they soon took on streamlined and modernistic shapes. Each often advertised itself
as safer than the other. That fuel irons were hazardous is evident in the specimens with burned and melted handles that are frequently
seen in antique shops, but let us not forget that worn and frayed electrical wires were responsible for many house fires and some
housewife electrocutions. Fuel irons may well have been the safer option, for at least a while. By the 1940s, with the electrical
grid extending further into the rural areas, the fuel irons began to loose ground to their competition, and many of the major fuel-iron
manufacturers were closing their doors by about 1950.
The wide diversity among the fuel irons make it difficult to provide an adequate summary. Here, we will mention three basic groups:
1) irons that burn a liquid combustible and have a fuel tank; 2) irons that burn natural gas and have an internal burner; and 3) irons
that burn natural gas but have an external burner that serves as a stand.
Interest in the fuel irons has increased considerably in recent years, and the value of a less common iron in excellent condition
can be well over a hundred dollars. Fuel irons in their original boxes, often including pump, funnel, wrench, lighter, instructions
and parts list are not uncommon. The liquid fuel irons also commonly included a light weight pressed steel trivet. These irons did
not often have the heavier cast iron trivet that was commonly included with the natural gas irons.
The most common gasoline irons with tanks were made by the Coleman Company, best known today as the manufacturer of lanterns and
camping equipment. Altogether, the company probably sold more than a million gasoline irons, of about thirty basic models. Coleman
irons continued to be manufactured in the United until the early 1960s and in Canada until about 1985.
A mistake that is often made by the novice is to buy a fuel iron that is lacking the internal heater and tank. These were designed
to be easily separated from the rest of the iron for preheating or maintenance. Our first iron, by the way, was a liquid gasoline
iron missing its tank, purchased by Kevin in an antique shop in Missouri during a family vacation in about 1967. Its scorched wooden
handle is a startling reminder of the danger women of previous eras regularly faced doing household chores.
To put electric irons in an historical context, Thomas Edison's first successful test of an incandescent light bulb was on October 22,
1879. Before the end of that year, Edison made a public demonstration of the new technology in his laboratory in Menlo Park, New Jersey.
Edison then worked to develop a practical electricity distribution system, which he demonstrated in September, 1882, with an electricity
generating station that supplied power to several city blocks around the Pearl Street Station in lower Manhattan. After the light bulb,
the second patented device to be powered by electricity was a pressing iron. This patent was applied for by Henry W. Seeley in December,
1881, and awarded six months later.
Early electric pressing irons were far from practical devices that could be sold commercially. A resistant wire within the iron would
heat metal elements, but this heat was typically not evenly spread across the sole. There was no method of adjusting the heat. The user
would plug in the iron until it was hot enough, then unplug it for use. Since utility outlets were usually unavailable, the electric
cord would often end in a ceramic plug that could be screwed into a light socket. The cords frayed with use and people were electrocuted
by their friendly electric flat iron. These irons could also cause house fires.
During the 1920s and 30s, irons developed a streamlined styling, with a teardrop-shaped body that extended beyond the back of the
soleplate. The use of Bakelite resulted in single-piece handles shaped to the contours of the hand, and added to the curved design of
the iron. The Bakelite handles include red, orange or amber colors. Some of the irons of this period show the influence of contemporary
Art Deco, with parallel lines and overstated geometric ornamentation. By the 1930s, the irons look far more like the fastest aluminum
airplanes and race cars of that time than the irons of earlier days. These irons are highly collectible, both as irons and examples
of cutting-edge industrial design.
Two new innovations the thermostat and steam were incorporated into irons in the years before World War II. The thermostat finally
allowed the user to adjust the temperature of the iron. The manufacturers, such as American Beauty, Hotpoint, Sunbeam or General Electric
added an adjustment knob beneath the handle without otherwise changing their well established designs. While steam was introduced at
about the same time as the thermostat, it would not be until the post-war era that steam irons became common. The early steam irons
were basically enclosed kettles of boiling water. The vapor softens the cloth fibers and aids in smoothing out the wrinkles. Steam
irons are easily recognized by having higher sides with consequently less streamlined shapes and the holes in the soleplate by which
the vapor left the iron.
Tailor irons (also known as laundry irons) have an especially long and colorful history. These irons originally were long and narrow
to be used by tailors for pressing the seams together during the making of clothes. These were often called "goose" irons in the old
days because of the goose-neck shape of the handles made by the blacksmith. By the way, the plural for goose here is "gooses," not
"geese" look it up sometime in a good dictionary.
In England in the 1500s, a slang word for a tailor iron was "weasel." In those days, the tailors were frequently itinerant, going door
to door to do the ironing for a middle-class family, to save the hauling of laundry about town. As a convenience for the tailor, a
household would usually have a goose iron near the fireplace so the tailor would not have to carry one of these large irons very
often 20 pounds of more from house to house. This helps explain why these irons are rather common.
If the household was facing a bad time financially, and something had to be pawned ("popped" in the Cockney slang of the day) to raise
a little money, the iron kept for the convenience of the tailor might well be the first thing to go, which sheds a new light on the
words in this very old children's song:
Penny for a spool of thread
Penny for a needle
That's where the money goes
POP goes the WEASEL!
Because the tailor irons have an ancient history, it is not unusual to find primitive irons that show the blacksmith's craft. These irons
typically were long and narrow. They were large and interesting enough to be retained as weights, doorstops or curiosities long after
their use as irons was over. Smaller primitive irons have not survived as readily many were likely used a playthings by children and
lost in the woods and so the blacksmith geese are practically the only ancient irons remaining of America's early history.
As the popularity of ironed clothing developed in the 1700s and 1800s the tailor irons grew larger and wider, but still retained the
blocky shape of their antecedents. The tailors were quick to take advantage of new technologies, particularly for the irons they used
in their shop/laundry. Often, the new ideas embraced by the tailors were further developed in the laundries and later adapted for
household use. Consequently, there are quite a variety of coal, slug, gasoline, natural gas and electric tailor irons, and some of the
earliest irons in each of the categories are tailors.
By the way, our 17th American president was a tailor, and a couple of the irons that Andrew Johnson used professionally can be viewed
at his house in Greenville, Tennessee.
The travel irons are of the opposite end of the spectrum from the tailor irons, but are a similarly large and various group that embrace
many technologies. The traveling businessman for most were men in those days of the 1800s usually traveled with a valet, who would
among many other duties take the dirty clothing to a laundry for cleaning and ironing. A fancy motel might also have a laundry service
for travelers. By the early 1900s, cost-cutting competition had largely dispensed with the traveling companion-valet, and the businessman
was on his own, and perhaps not staying in a fancier motel. He was doing his own ironing.
Traveling irons of the late 1800s and early 1900s were usually no different than those of the household, except that they came in a small
case complete with handle. The case might include extra parts or attachments, fuel if needed, and perhaps even a small ironing board.
The case, however, took significant space and the iron was heavy. As the 1900s developed, many companies marketed compact and specialized
irons for the person who was traveling light. These typically used liquid fuel or electricity, but have an astonishing number of clever
ways to reduce the space and weight.
Many of the liquid fuel traveling irons would easily disassemble to fit in a small traveling case that would be about the size of a
book. The case might include an iron body and detachable handle, a separate heating element, stand and a small can for fuel. The iron
could often be held upside down by the stand so the sole could double as a hotplate for cooking. The electric traveling irons were more
often carried as a single piece, though some had removable or folding handles for compactness. Electrical outlets were not common in
hotel rooms of the early 1900s, so the cord often terminated in a plug that could be screwed into the overhead light fixture. The case
that housed the iron would commonly include clothes pins and other useful accouterments.
The diversity and development of technologies associated with one of the most mundane household tasks ironing is so interesting because
it mirrors the social history of women, the importance of skilled craftsmen giving way to mass industrialization, the explosion of
ingenuity and excitement of the Victorian period, to the complete electricification of the industrialized world. The "common" iron
is really a remarkable thing, and its importance and impact on the modern world makes it an endlessly appealing item to collect.
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